Sometimes I have a desire to learn some finger picking on the uke, but it's never a strong-enough to motivate me to actually do something about it. So, I'm stuck in strum-land with the uke, and it looks like this is where I'll remain.
I think that this is the first step toward your next level, if that's where you'd like to go. That is, there are so many different ways to play (fingers, strumming, clawhammer, chord melody, etc etc), and so many different kinds of music (blues, gospel, rock, pop, Hawaiian, jazz, classical, etc etc) that honestly, I'm surprised more people don't give up sooner. Like guitar players.
(Kidding, but maybe not?)
There's a lot to be said for realizing, "This is who I am." Taking stuff off the potential to-do list can be the most liberating thing of all!
That was my experience anyway. It wasn't that I learned all the songs I wanted to learn or whatever, it was that the number of things I wanted to learn was paralyzing me. I also currently lack the skill for some of what I want to accomplish eventually, and the in-between steps weren't fulfilling enough to keep me motivated. Combine that with my one hundred and nineteenth nervous breakdown taking me out for a few months, and I felt a need to reset.
For me, that revolves around a small handful of things. I can summarize the heart of it as, "Classic rock strumming plus chord melody riffs and solos." I play alone, so I don't want lead lines or improv solos that are just one plinky note after another. Not that
good lead players sound plinky to me -- it's that plinky is all I'm really up to as a player right now. I don't enjoy improvising at all, in any area of my life (I suspect that most folks on the autism spectrum like myself would tell you something similar!), and one note at a time is the opposite of the sound I want. I'm the whole band, and I need more fullness. But there's only so big a hill I can climb right now.
Here's one example of what I'm talking about: Love Me Do from Vasko at Ukulele Cheats, with the harmonica solo turned into an easy chord melody riff. The heart of it is just G7 to G6 barring at the 7th, plus a Cadd9 which sounds fancy, but is just a finger on the 5th fret of the A string. It turns a pretty pedestrian campfire tune into something that pops, at least to my ears. Maybe not what you're looking for, but you'll see what I mean in just a few seconds.
Likewise, Aldrine's tutorial for Lucy In The Sky with Diamonds
here at UU has a sweet little intro lick that you can carry as far as you'd like before turning the corner to strumming. I can barely keep my attention through the intro because finger picking is kind of alien to me, but I'm trying to bring it through at least the first verse, and transition to strumming for the chorus. Again, you'll see what I mean within the first few seconds.
[MEDIA]
That may not mean anything to you either, especially if you don't care about The Beatles
but that's the gist: find the thing that you kinda like, and make it a little better.
So my second recent obsession has been on tone. I got kinda sloppy when I set myself the goal of a new song every week. That was fun for a while, but none of the songs sounded as good as I wanted them to. That was definitely de-motivating! Going back to square one and resetting my posture and hand positions has made my
satisfaction go through the roof, even if my progress has slowed considerably. I'm not declaring songs finished and moving on nearly as quickly, but I'm digging it more.
Matt Stead has
a terrific workshop on tone (ie, one long video at YT). The beginning is mostly about nails, so you may possibly want to click quickly through that part, but there's a bunch of great stuff there. Learning to better control my thumb has made a big difference all by itself. btw, Matt has by far the deepest set of free lessons for ukulele that I've yet encountered. Not so much the horizontal momentum of thousands of songs as much as vertical, going deeper into tone, style, and other elements that make for better playing, whatever style you're pursuing. Definitely poke around his channel!
I'm also finding that a lot of ukulele tutorials cut unnecessary corners. Yeah, there's a lot to be said for saying, "It only has four chords! Let's go!" But a couple of more chords, often just by moving a finger that I've already placed, sometimes just removing a finger, to create the extra bit of movement that really makes the songs come alive.
Somewhat related,
@4stringboy is one of my favorite fellas to follow (I'm only doing YT and UU right now, but he's got a super-dynamic IG feed that I loved when I was still doing IG), and he's doing a series of "#chordvember" shorts that explore variations that are usually no more than a finger or two different than what you're used to, just in a different place. It's an approach to moveable chords that doesn't presuppose bar chords as the goal, but also this concept of slightly different getting you farther along.
For example, Bb is a drag no matter what, but Bb6 is just a G shape moved up to the 5th and 6th frets that subs nicely for Bb -- AND is easier to play, AND sounds gorgeous!
All four days of this series so far are gems, btw, and if you ever want to reconsider fingerstyle, Sammy's cheekily-named "Fingerstyle Fursdays" is a wall-to-wall delight of composition, performance, and pedagogy. I've realized that my finite mental resources and limited prowess preclude climbing up on top of
playing this way (yet), but my goodness, this series is the definition of must-see TV. Gorgeous AND fun. Here's a link to
the volume 1 playlist.
I'm going to end for now with my recent discovery that my uke's sweetest spots are in the 5th-8th frets. Maybe that's true for all of 'em. I have no idea. Your mileage may vary, but I do know about myself that I'm not going to be shredding at the 14th fret a la Jake and Aldrine, but man oh man, am I having BIG FUN going just the tiniest bit past what I used to think of as my outer limit. Sammy's variations are one place to begin exploring that. There are others, but the important thing to remember is that not all of them are ridiculously hard, not all of them demand bar chords, and some of them are actually easier than first-position chords while also breathing new life into old arrangements.
I suspect that there's a life lesson in there somewhere about going one step past your old limits, but you get the idea. I'm happier now that I'm trying less, and I'm hitting a higher percentage of my targets now that I have fewer of them. There's a life lesson there, too, I think!
Your mileage may vary, but the ukulele is the most important thing to come into my life for mental stability and the closest thing to joy that I'm likely to find since psychiatric meds.
I hope you can find your way to someplace happier with it. Maybe "less is more" will work for you too?