It appears to me that it is an equal model at an equal price and is fair.
I agree. The Anuenue Koa Bird is Asian-built (Java? I forget), and is over $2500. Admittedly more bling, but it's a fact of life that list prices are going up.
I also think if it would feel more worthy of the price in gloss. Yeah, I know that a lot of cheap instruments pile on gloss to cover a multitude of sins, one of which is the poor job they did with the gloss
but I don't relate to the notion that higher end ukes become single higher end of they're finished flat or semi gloss. Not me, man. At that price, it better
shine.
Also, looking at a number of brands that sell both Asian and US-built models, it appears that the premium for US-built is 30-50%, and sometimes more. Admittedly the US models frequently feature higher quality materials, and more hand work vs machine work (although in the later case, not necessarily), so I think that waving past the cost of doing business here isn't quite fair.
I do appreciate that the overall score still puts it in very fine company (the same score given to them Kanile'a K1 Baz bought for himself, in fact)...but a question for you,
@bazmaz -- do you feel that the karinna models are priced right? I know that it's hard to be definitive since you haven't played one, but just wondering if it's the price for this model, or the whole Kala Revelator line that feels high to you.
Ironically, it's now some luthiers (like last week's Caravelle!) that can offer the most exceptional values. Until quite recently, I think most people assumed that the luthier build were out of reach and turned to production models instead, when there are clearly times now that the opposite is true!
Thanks again for a great review, Barry, and for always provoking thought!