Ukecaster
Well-known member
What are your uke design pet peeves, if any?
Mine are:
1. Manufacturers who seemingly use the exact same size bridge on soprano and concert as tenor. Often not bad on concert, but sometimes results in a huge looking bridge on soprano. Examples include Kala Elite, other Kalas and Kanilea.
2. Skinny nut width, and more importantly, string spread. The usual import 35mm nut and 27mm string spread is ok for many, but I need more room. I can play 35mm nuts, but much easier if they have a 28-29mm string spread. Then there are manufacturers who really squeeze it down to 34mm nuts on soprano, with 27mm spread, like a couple of Ohanas I've tried, not fun for me. The Martin 34mm nut spec on tenor scale has always been a headscratcher for me (especially when you consider that their sops and concerts are usually 36mm), although their tenor 28-29mm string spread helped a bit.
3. Somewhat related to #2, manufacturers who use overly wide neck bindings, with frets starting inside the bindings, ala Koaloha. In their case, this results in narrower string spacing at nut of only 27mm, while the nut is wide at 38mm. To me, that's a waste of a nice wide nut, and limits any option of cutting a new nut with wider string spacing. I prefer no neck bindings, with frets that go all the way to the edges.
4. Low volume/muted ukes. Drives me nut when I get a uke that is gorgeous, has great materials, plays well and has good tone, but wimpy volume. It may open up/ develop over time, but I don't have patience for that, preferring good volume from the start.
5. Too much bling/inlay. I know lots of folks love it, and it often takes superior skills to pull it off well, but just not my cup of tea, preferring plain, more understated ukes.
I guess I'm picky, but that's what it's all about, finding what's just right for you.
Got any pet peeves to share?
Mine are:
1. Manufacturers who seemingly use the exact same size bridge on soprano and concert as tenor. Often not bad on concert, but sometimes results in a huge looking bridge on soprano. Examples include Kala Elite, other Kalas and Kanilea.
2. Skinny nut width, and more importantly, string spread. The usual import 35mm nut and 27mm string spread is ok for many, but I need more room. I can play 35mm nuts, but much easier if they have a 28-29mm string spread. Then there are manufacturers who really squeeze it down to 34mm nuts on soprano, with 27mm spread, like a couple of Ohanas I've tried, not fun for me. The Martin 34mm nut spec on tenor scale has always been a headscratcher for me (especially when you consider that their sops and concerts are usually 36mm), although their tenor 28-29mm string spread helped a bit.
3. Somewhat related to #2, manufacturers who use overly wide neck bindings, with frets starting inside the bindings, ala Koaloha. In their case, this results in narrower string spacing at nut of only 27mm, while the nut is wide at 38mm. To me, that's a waste of a nice wide nut, and limits any option of cutting a new nut with wider string spacing. I prefer no neck bindings, with frets that go all the way to the edges.
4. Low volume/muted ukes. Drives me nut when I get a uke that is gorgeous, has great materials, plays well and has good tone, but wimpy volume. It may open up/ develop over time, but I don't have patience for that, preferring good volume from the start.
5. Too much bling/inlay. I know lots of folks love it, and it often takes superior skills to pull it off well, but just not my cup of tea, preferring plain, more understated ukes.
I guess I'm picky, but that's what it's all about, finding what's just right for you.
Got any pet peeves to share?
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