I have had my BR soprano for a few months now, ordering it after receiving and loving my concert last year (and waiting a half year). I was seeking a soprano that would be used for chord melody more than strum and sing (where many other sopranos excel at). So tone, intonation, and sustain were important.
I requested the “best sounding” wood combination and left many of the build choices to Allen. While not a priority, the looks are great! Some of the build:
Soundboard: Huon Pine
Body: Australian Blackwood
Neck: Sapele
Fret board and bridge: Indian Ebony
String through bridge and no side sound port are usual for this size. I added Gotoh Planetary tuners as an upgrade.
Impressions:
It is definitely a sibling to the concert. It has a similar sound profile with the sustain and tones. It was what I was seeking and is different from all the other sopranos I have had that I did not like for chord melody, maybe because of the short sound decay. Craftsmanship/looks are tremendous. He makes great looking and great sounding ukuleles.
The build is what I was looking for. I also discovered that the concert scale is where I do best. The soprano spacing does get tougher higher on the fret board. I tried some chord sequences (strum and sing patterns) and it does not project as well as my Mya Moe and UkeSA sopranos, which is not a surprise. One other note of interest is that it is joined at the 14th fret while my concert is joined at the 12th fret.
Both my BR ukuleles:
I requested the “best sounding” wood combination and left many of the build choices to Allen. While not a priority, the looks are great! Some of the build:
Soundboard: Huon Pine
Body: Australian Blackwood
Neck: Sapele
Fret board and bridge: Indian Ebony
String through bridge and no side sound port are usual for this size. I added Gotoh Planetary tuners as an upgrade.
Impressions:
It is definitely a sibling to the concert. It has a similar sound profile with the sustain and tones. It was what I was seeking and is different from all the other sopranos I have had that I did not like for chord melody, maybe because of the short sound decay. Craftsmanship/looks are tremendous. He makes great looking and great sounding ukuleles.
The build is what I was looking for. I also discovered that the concert scale is where I do best. The soprano spacing does get tougher higher on the fret board. I tried some chord sequences (strum and sing patterns) and it does not project as well as my Mya Moe and UkeSA sopranos, which is not a surprise. One other note of interest is that it is joined at the 14th fret while my concert is joined at the 12th fret.
Both my BR ukuleles: