Hi all! I'm about to pick up a new Ortega tenor 6-string that is currently strung g-cC-e-aA (with the capital letters being low tones). I plan to immediately restring with a set of all-flourocarbon (no wound) Worth Browns for a mellower sound, and also make it a low-G.
The question is whether to flip the As, so the final string is high-a. This is how I see most of the Kamaka Liliu's set up, and my understanding is that the Liliu was the original 6-string (although it was high-G originally!). So I would end up G-cC-e-Aa
I understand it would take some nut work to the one I'm buying if I flip the As.
It seems odd to me to have the final string the low-A, but this is how this particular instrument comes, so part of me wants to just trust that while making it low-G, but I want to make sure that I'm starting off with the instrument in the "best" way for me. If I leave it "aA" I'd love to understand the thinking/logic behind this placement so I don't constantly second-guess myself.
In the end I want the mellowest possible sound to accompany myself singing, mostly "campfire" classic-rock tunes.
Any thoughts?
Thanks!
The question is whether to flip the As, so the final string is high-a. This is how I see most of the Kamaka Liliu's set up, and my understanding is that the Liliu was the original 6-string (although it was high-G originally!). So I would end up G-cC-e-Aa
I understand it would take some nut work to the one I'm buying if I flip the As.
It seems odd to me to have the final string the low-A, but this is how this particular instrument comes, so part of me wants to just trust that while making it low-G, but I want to make sure that I'm starting off with the instrument in the "best" way for me. If I leave it "aA" I'd love to understand the thinking/logic behind this placement so I don't constantly second-guess myself.
In the end I want the mellowest possible sound to accompany myself singing, mostly "campfire" classic-rock tunes.
Any thoughts?
Thanks!