Of course it's not the same. I know the source material for these songs , but it's not like my versions of ANYTHING I play are the same as the originals, whether it's Vivaldi's Spring, Glen Miller's In The Mood, The Beatles' She Loves You, Boston's More Than A Feeling, Madonna's Vogue, Radiohead's Paranoid Android, Underworld's Born Slippy.NUXX -- take your pick. Following your simile, I build the Fiero Ferrari because that's the one I CAN build.
All of the originals I mentioned feature large, multi-instrumental, often multivocal ensembles, often electrified and multilayered, boiled down to a single performer with four strings who may not even be singing. And yet they can all sound terrific on uke!
Here's the thing. Even if it's me and a uke trying to emulate Paul Simon's solo acoustic Sound of Silence, it's still a far far leap from the original because I can neither sing nor play as well as Paul, who was using 2 more strings in a different range anyway.
None of this is relevant.
The one and only point is that if you don't like what you hear other people playing on uke, do something else. Mr. Sandman and Enter Sandman work equally well on ukulele, and are about the same distance from the original recordings, from very different directions (Vaughan Monroe and His Orchestra and Metallica respectively
). You're the boss. Do what you want.
Noting @riprock's approach, I'll observe that it's very similar to the approach taken by
@4stringboy -- a formally educated prog metal bassist who doesn't play a lot of prog metal on uke, but who does play a lot of
original music. He looked at the ukulele, thought it was adorable, and said, "It's obvious what it can't do, so what it CAN it do?"...as viewed through the lens of a multi-instrumentalist whose many musical interests include prog metal. As a result, I think he's done more than anyone this century to expand the range of how an ukulele can
sound. (Yes, I rank him higher than Jake in that regard, although I think Jake has done more to expand the range of how an ukulele can be
played.)
Sammy's question was, "What can I do with this little thing?", and my question for the OP is, what did you have in mind when you picked up an ukulele? What do you want to do? Play your favorite songs? It can be done! Explore what it can do that you haven't heard anyone else attempt yet? That can be done too!
For me, I don't want to REPLACE any of the songs I listed above. I want to EVOKE them in ME. That is, me playing the trumpet solo in Penny Lane on my uke will not arouse in YOU the feelings that hearing the original arouses (to say the very least
), but it DOES arouse something very close to it in ME. THAT's why I play anything on the ukulele -- to enjoy getting as close as I can to what I
feel when I hear the original, whether or not I get especially close to how it sounds, as limited both my skills as a singer and a player of a small acoustic box with four strings.
Or, to push things in the riprock/4tringboy direction, you could forge a path based on pushing as far as possible to find sounds that one hasn't yet heard on ukulele to one's own satisfaction. The goal is as much the exploration as the result.
There are almost an infinite number of variations on all of these approaches, but they're all coming from the same place. "I don't care much for most of what I've come acrosss on YouTube." Fair enough, right? That's not a problem, though. It's the beginning of the solution! Don't play what you don't want to play, and you can save acres of time for all the things you'd
rather play instead.